cιʀce (
beastkeeper) wrote2012-01-01 12:42 am
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ringing in the new year
For the most part, the beginning of every new year on the block is the same. There's the party, held down in the common room (barely distinguishable from the lobby, but hey, who cares), and the reminders that go up in the week prior, telling people to bring food to share (not that everyone does — the witch provides more than enough, anyhow). There are, of course, smaller parties, held in the apartments upstairs or on the grounds, and the combinations of creatures always rotates (more or less), but the overall air remains the same. The end of one year and the ushering in of another is cause to celebrate.
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What else does the devil know, I wonder.
[ Hollis doesn't need to use his voice on her and they both know it terribly well. Unlike so many of the others that have come and gone and fallen around them, Betina needs no help in straying far and wide from the path. But, oh, how sweet a smolder it makes her feel and eagerly she looks to match it, that hand of hers sliding down and around to grasp him firmly by the wrist, tugging him forward to her jackal mouth as it continues to seep smoke. ]
Out with the old, in with the new has always reeked of rubbish to me, Hollis. I rather like our game as it is.
[ The suggestion of her nails begins to manifest itself against his skin, or is that just the flush of her powers prickling on their way in. ] But happy new year all the same.
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His gaze flickers once, from her eyes to her lips and then back.
(He's got a weakness, he has, for pretty girls and sharp smiles and red, red, red.) ]
You got anyone else on your dance card tonight, sweets? Or am I allowed to take the first kiss of the year?
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Betina seems to revel in the path that his eyes take, in the tingle that's begun to spread both over and under her own skin. There'll be hell to pay for it later (the sweeter the sowing, the more bitter the crop) but that's the best part of this terrible equation and Hollis is nothing but reliable when it comes to certain strands of cause and effect. ]
I have places to be later, [ she hums and perhaps it's a lie meant to do nothing but incite and goad. There was always Jack, of course, though Betina holds his name in reserve. ] But I'm fairly certain I could be convinced to open up a dance up front.
For old time's sake.
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[ It's his turn to pull her closer, this time, his free hand finding her waist as his head tips to one side, careful to avoid the cigarette. (There's fire in his veins already, that lovely laugh spreading through every inch of him, still heady but, he knows, going to give way to the worst of him in the end.) ]
That's awful generous of you.
[ There's always hell to pay, always, whenever either one of them is involved in any equation and even more so when they both are. They both know it, and that's what keeps them coming back. ]
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In the end she abandons the thought (uncreative, obvious) and turns back to him, her lips parting just far enough to let that smoke seep from the very corners, where her mouth is reddest, rouged crimson by lipstick and wine. ]
Call me a sentimentalist, dear. You know how my heart bleeds for the classics.
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[ Another laugh, then, just as low as the first. ] I never could refuse you anything. [ He shifts, tugging once against the hold she has on his wrist. He can feel her powers working already, like the whistle of a kettle, growing higher and higher in pitch in his head, through his whole frame. ]
So, what'll it be, Becks?
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I think we should paint the town red tonight, Hollis. [ Betina grins a jackal grin and then abandons her cigarette, flicking it off carelessly with the end of a nail. One hand comes up to move across the broad expanse of his shoulders, his wrist still tightly gripped in the other. She laughs one last time; she makes his nerves sing. ] Let's start with me, shall we?